5,277 Royalty-Free Audio Tracks for "Modular Drums"

Playing with delay.

Nlc jerkoff sweet spot. I'm just listening.

This is nlc jerkoff. A chaos module. Doing. . . Chaos.

Using an lfo, mixer, exp vca, envelope generator, cycling envelope generator and spring reverb to create strange sounds. Evaluation of patch/soundone cycle is about 28 sec - cycles. . . Dont knowonly short sounds - goodamplitude variation - goodpitch variation - mediumtimbre variation - mediummusical value - low to mediumentertaining - medium?.

Start with chaos. In this sound/patch you have the possibility to enjoy chaos and feedbacki use my sloth lfos and jerkoff - another chaos moduleim possible sick i like this - thou its simple. Sloth modulate vco and filter cut of frequencyfeedback from vco to the filter via a vca controlled by a looping envpan fx also controlled by sloth - same env that controls the frequency. The "prassel" rustle sound is great in my earsjerkoff, exp vca, function and another sloth. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - mediumtimbre variation - some, via filter/two soundsmusical value - i think so!entertaining - yes?!.

A fairly simple patch in vcv-rack. Reuse/feedback of cv makes the patch change in a nice way.

4 cross modulated/connected looping envelopes phasing in and out of some sort of equilibrium. Cross connected in pairs. . . Lot of spring reverb. . .

1 looping envelope and 2 vclfos in a dance. I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with the looping envelope in non looping mode. After about 19 sec i switch to looping-mode. Records and hope that a pattern should emerge. This time there is a pattern. Yay! not 100% stable but that's perfect!okay, it is harder to recognize patterns when a sequencer is involved.

Rumble made with wave rectifier, vactrolfilter etc. . . But a full spectrum rumble!.

A double krell patch making some bubbly sounds. Made on an analog modular synth.

Generative patch. Unedited. Does it need editing :-).

Dirty fmaj7 cycling envelope variations. 2nd inversion. Lazy chord patch.

Strange beat. Recorded dry. No reverb. Why? answer i have sold my digital reverb. The one i had in my case. It's finally time for a spring reverb!!!gis_sweden goes fully analog! as long as i dont record with my computer. . .

Short drone made from a sound made on my modular. Time stretched in audacity.

A modular synth piece. Extra point if you can find a nice part to loop and use :-).

A fun patch. Notice the connection between speed and tone.

Working with my spring reverb.

I'm testing a new module. . .

Beat and timbres remix of balloonheads "welcome to the mancave"https://freesound. Org/people/timbre/sounds/445097/https://freesound. Org/people/balloonhead/sounds/444988/.

Small patch painting in sound chaos, random and music of the krells.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Drum sound made with analog modular synth. Mono sounds. No effects.

Patching up a burst-patch. There are x ways to do that. This is is the results of one.

Pinged 4ms smr.

Pinged 4ms smr.

4 osc4 lfo4 env.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

You will find a pattern. . .

Using a frozen wasteland quantussy module.

Using modules through analog heat. Have fun with it, make music, make sounds.

Using modules through analog heat. Have fun with it, make music, make sounds.

Using modules through analog heat. Have fun with it, make music, make sounds.

The drone has a form of pattern repeating every 2 minutes. But other thing are vaguely linked to this pattern. The heart of this patch is intellijel quadra + expansion. I'm using 3 oscillators and noise. I add some character to the sound with a driver pedal (boss bd-2).

This is nlc sloth. A chaos module. Doing. . . Chaos. Fade in and out. . .

Ambient music shaped by two sloth lfosmuch reverb! very much. . . . Oh yes, some "ambient noise" toolets call this patch "instant generative ambient patch"one sloth generates triggers. One controls pitch cv. Noise through filter controlled by 2lfosh. And loads of reverb.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

Intended to do some sort of tape echo, but. . .

Testing something i dont know i'm doing right.

A little patch hard to balance. It's a meditative timbre practice. . . A en envelope generator in quadrature mode is controlling the amplitude. Download and take a look at the wave - close. Nice!.

I'm getting to know a comparator. Why haven't i used it before?extremely electronic. Yes!the comparator i'm using is bastl instruments tromsø. With the comparator i'm making the bass tone that vary in length. What! are you not amused and impressed??? in this patchi'm sending the comparator a saw-wave.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch. The sloth have a potentiometer that is said to "alter frequency a little". . .

Vcv-rack patch5 vclfos in a ring gives you a lot of interrelated cv. Classic. Instead of vclfos you can use looping envelopes.

This is long low buzz sound. Can be used ig games and other stuff. Made in fl studio.

Test of how uoki-toki polivoks vcf handles sin-wave. I tune the module i use as sin-oscillator (intellijel μvcf) to ca 270hz. I connect it to uoki-toki polivoks vcf. I let a sin lfo sweep the filter, cv1 pot at ca 70%.

Don’t know if my english is correct. . . Butt i guess you get it, dear reader. Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 70%. What happens. . .

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 100%. Hmmm interesting. . . .